Bob Odenkirk’s return as Hutch Mansell in Nobody 2 proves that lightning really can strike twice. Where the first film surprised audiences by turning a suburban dad into an unlikely action hero, the sequel doubles down on the formula with bigger fights, sharper humour, and just enough emotional weight to stop it from becoming an empty spectacle.
This time, Hutch and his family set off on a much-needed vacation—only for trouble to find them before they can enjoy a moment of peace. What begins as a bonding trip quickly unravels into chaos, forcing Hutch to juggle his violent past with his role as husband and father. The plot isn’t revolutionary, but it gives the action a personal core, grounding the carnage in real stakes.
Director Timo Tjahjanto infuses the fights with frantic energy, turning every brawl into something brutal, inventive and darkly funny. Odenkirk looks even more at ease in his action-hero skin, balancing grit with deadpan charm. Yet the real scene-stealers are the villains.
Sharon Stone brings flamboyant menace as the central antagonist, while Colin Hanks and John Ortiz inject unpredictability into the mix. Unlike many disposable action-movie foes, they feel distinctive and worthy of Hutch’s wrath.
Yes, the story can feel thin at times, but Nobody 2 compensates with relentless action and surprising family warmth. It’s violent, stylish and—most importantly—fun.
LOOK AHEAD
October 2025 is shaping up to be one of Hollywood’s most dynamic months, with a mix of prestige dramas, big-budget spectacles and fan-driven releases.
The spotlight falls first on The Smashing Machine, an upcoming American biographical sports drama, where Dwayne Johnson makes a rare turn into serious drama as MMA fighter Mark Kerr. Also on the slate is Anemone, marking the much-anticipated return of Daniel Day-Lewis in a story about a former soldier reuniting with his brother after two decades of isolation in the forests of Northern England. Disney aims to electrify audiences with Tron: Ares, a visually ambitious sequel boasting IMAX spectacle, while Jennifer Lopez headlines Kiss of the Spider Woman, a bold new musical adaptation directed by Bill Condon. Rounding out the month is Guillermo del Toro’s Frankenstein, a gothic reimagining featuring Oscar Isaac and Jacob Elordi. Together, these releases make October a rare mix of awards hopefuls, blockbuster tentpoles, and pop-culture sensations.
(The author is festival director, KidzCINEMA and Culture Cinema Film Festivals)
